JALBA MINI BASKET

25 meters of aluminum wire, 25 hours, 1 girl

A small basket experiment with a circular 'sprang' technique adapted to wire material with free endings. Unlike traditional cotton thread weave, wire weave can stand as a stand-alone structure.



Materials | 0.3 aluminum wire × cherry wood
Dimensions | ø135mm × 170mm

Photos by Ana Mitrovic

History tells us—things that have worth and quality, and appear to be lost in time, will be rediscovered and reinterpreted again by another generation.

JALBA VASES

Homage to Ozalj

Jalba Vases / X. International Lace Exhibition in Ozalj

Vase 01 / red weave × off white clay
"beli rupci i črleni konci" - white scarves and red threads

Vase 02 / black weave × dark brown granulated clay
neutral, dark, modern take on it



Pleased to present my newest works for the first time in Old Town Ozalj, the place where I grew up, alongside traditional "jalba" woven by Melita Mataković-Rožić/Cultural and Artistic Society "Ključ" Trg [KUD "Ključ" Trg] in hazelwood frames.

The topic that I investigated is how the traditional "jalba"/sprang technique could transform and react to different materials such as wire, combined with ceramic, creating an artistic, crafted, and useful item. Also, the traditional intricate weave became a strong structure that could carry the ceramic part while looking soft and tender.

Watch the story about JALBA

https://www.instagram.com/reel/DFV6pPiIcgG/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==


Credit for the beautiful dried sedge arrangement goes to my dear Petra Piknjač, perfectly wraping up the whole story.

Photos by KT

"Beli rupci i crleni konci." / White scarves and red threads.

TRADITIONS STORIES PASSION CULTURE

TRADITIONS STORIES PASSION CULTURE

“MELKSCHENEL” MAKING OF / THE ONE-LEGGED STOOL

MADE IN Precious Wood Workshops 2024 in Schneeberg, Germany

Twisting Shapes and Colours with Marlen Tröger and Roman Krohs

The Faculty of Applied Arts in Schneeberg, Germany, organised the Precious Wood Workshop gathering for designers and design students via the MADE IN platform. In total, 6 wood workshops based on different wood processing techniques were held over 2 weeks, with a main theme - making the stool.

I participated in a woodturning workshop with mentors Marlen Tröger and Roman Krohs, who taught us to embrace the “old ladies” machines and a quite traditional technique in only 2.5 days with controlled conditions and safety (without previous experience). Woodturning is well known in almost every household in this Saxony area, which is also the home of the original “Nutcracker” and small wooden animal figurine toys. I very much appreciate the field trips to Denkstadt's old Workshops, where we could see the demonstrations of these old techniques.

My BIG love for the Nutcracker toy and story could not be ignored, so I had to use my excitement as an inspiration for my stool. I decided to make a reduced version of the Nutcracker where only the turned shapes and colours will suggest that it is a reinterpretation of this icon.

After the idea was accepted, we soon concluded that it is perfect for giving another hommage to the traditional “melkschenel”, the one-legged stool, often used in German stables for milking the cows. The traditional wooden “melkschenel” with belt allows the farmer to be in a low static position while milking, but also to be dynamic in moving from cow to cow.

I truly enjoyed the whole process, which was finalised by picking the well-known red, blue, and black colours of the Nutcracker. Colours were mixed with water to give a feeling of transparency, showing off the beautiful wood texture. Textile belts that were sewn with the help of the Textile Design Department, but unfortunately, were not fixed to the seat due to the time limit.

The Future Legacies

Center ROG, Museum of Architecture and Design (MAO), Ljubljana, Slovenia / 15 May—6 September 2025

The Future Legacies exhibition brings together the results of three years of collaboration between designers, craftspeople, scientists, and other experts, facilitated by ten organisations across six European countries as part of the MADE IN Platform for Contemporary Crafts & Design.

"Tradition is not the worship of ashes, but the preservation of fire." —Gustav Mahler

Previous
Previous

PRODUCT DESIGN

Next
Next

GRAPHIC DESIGN